Bonnie MacFarlane eventually married, but it is not said to whom. Irish shot himself dead in an outhouse in Thieves Landing when his gun discharged. Seth Briars eventually found the treasure he was looking for and became rich and Landon Rickets passed away quietly in his sleep, another part of the Old West falling away. The four main themes are:. The battle between an old world facing change from a new world. The Old West in the game is being exposed to industrialization and new technologies such as automobiles, aircraft, Gatling guns, water-cooled machine-guns, and armored warfare.
Ultimately, the Old West must contend with the taming of its lands and the coming of "civilization. The main two factions in the game appear to be outlaws and lawmen. Both sides are equally bad, although in different ways. The outlaws steal and kill to live their lives with sheer brutality. The government does the same, albeit in a different manner. Near the end of the game, John Marston holds his old friend Dutch van der Linde at gunpoint by the edge of a cliff. Dutch tells John that he can't fight change, and even if times change, the Government will just find another enemy to contend with.
The second theme appears to be a question that falls under the moral choice of good, neutral, and evil. The government agents in Blackwater excluding Edgar Ross and Archer Fordham believe they are good even though they usually interfere with the people of the West more than they help them. The outlaws in Dutch's Gang killed and stole from the rich but then gave to the poor.
This raises the question: Is it acceptable to be evil and brutal in the present in order to achieve a better future? If both sides are indeed evil, then that makes John Marston neutral to good or evil. John has killed hundreds of people, abducted people, and stolen from the government his whole life. But yet, he realizes the mistake in his ways and to tries to restart his life with his family. He no longer cares which side is right, and that makes him neutral. Of course, it is up to the player to dictate how John Marston behaves during the course of the game.
The third theme of Red Dead Redemption is that one's path will always catch up with the player. As stated above, John Marston lived a life of crime in his younger years, and now tries to put all of it behind him to start a ranch and to live a calmer life.
However, there are no clean getaways from one's past when one lives the life of an outlaw, and the past always comes back to haunt them. To repair his past, John must achieve Redemption and justify his sins. He achieves this in the climax when he sacrifices himself to let his wife and son escape from government agents who have come to assassinate him.
The fourth and final theme of the game is shown through the character of Dutch Van der Linde: self-destruction. The people from the New West are brightly dressed, own motor vehicles, and are bringing in new technology. While most accept this, Dutch van der Linde sees it as evil and wants to destroy the new society.
In Dutch's eyes, the world is meant to be brutal and a true fight for survival like it was in the Old West. This is also shown through Dutch's followers, angry Native Americans who come from a bloody and brutal background. Dutch thinks that technology, social order, and the government bring nothing but corruption, and this is why he sets out to destroy the town of Blackwater. A subtext which runs throughout the game, including many Stranger missions as well as the main plot, is that of obsession, self-deception, and madness.
This is most directly apparent in the insane grave robber Seth Briars and his quest for his "treasure". It affects other people as well. In Flowers for a Lady , a man treats his wife's cadaver as if she were still alive. In Jenny's Faith , a girl dying in the wilderness refuses rescue because she believes her faith in God would save her. Daedalus and Son , Lights, Camera, Action , Aztec Gold , and California , all deal with obsessive and delusional quests for treasure that lead only to nothing or tragedy.
The theme is used as a major plot device in the story of Luisa Fortuna's fatal fantasy in which she sees the self-serving revolutionary Abraham Reyes as her betrothed and a champion of the people.
Harold MacDougal and his Quixotic attempt to "understand" the Indians but only in accordance with his misconceived notions. All of this unsettling background is there to reflect upon the main story and to John Marston himself: not only his obsession with recovering his wife and son, but the self-deception under which Marston convinces himself that through the way of the gun he could ever 'earn' a normal, peaceful family life, or a son who wouldn't follow the same violent path.
The gameplay of Red Dead Redemption is vast. There are a variety of pistols , revolvers , shotguns , and rifles available to the player as the game progresses. Ammo can be purchased in stores across the landscape, as can other useful items. Prices for various items vary from settlement to settlement. There are numerous ways to make money in the game. One way is through random encounter missions which present themselves as the player travels. Players can also accept bounty hunter missions, to capture or kill escaped criminals; play games of chance such as poker or blackjack , search for treasure or hunt wild animals skins, meat etc.
There are many animals available to hunt ranging from dangerous animals such as boar , bears , cougars , wolves , coyotes , and even legendary animals such as Lobo the Wolf or Gordo the Boar , to harmless animals such as rabbits , birds , raccoons , and even beavers. A change from Grand Theft Auto's system of a wanted level is the bounty system.
As players commit crimes , their bounty increases. Certain crimes raise the bounty more than others: murdering a sheriff, for instance, will raise the player's bounty more than committing arson.
Players can surrender themselves to law officers at which point they will have to spend time in jail. If players cannot pay the bounty, they will be sent on a bounty hunter mission it is best to capture the bounty alive so the player can get more money to pay off their own bounty.
If a player can get close enough to a law officer who is currently in pursuit of Marston, they can bribe the officer for a much larger fee than that required to pay off a civilian. This will stop all officers from chasing the player but one's bounty remains. Players can get rid of their bounty by going to telegraph offices and paying off their bounty piece by piece.
A trailer of the project was sent to a select number of people at a Sony conference in , promoting the release of the PlayStation 3 system. The trailer circulated throughout the internet. On February 3, , Rockstar Games announced the first official trailer. Resulting trailers showcased numerous characters, gameplay features, and multiplayer modes that were to be featured in the final release.
Previews and beta releases included some features that were absent or changed in the final release. It is directed by John Hillcoat. The story takes place on the alternate take in the storyline's first act. Shortly after release, the whole film became downloadable officially through Rockstar's official website.
The content included six new cooperative side missions ranging from raiding a mine and stealing the gold to riding down a river to secure a town's weapon cache.
Several other minor DLC was released as well. A full list can be found on the Redemption DLC category page. A Free-Roam pack had been announced earlier. It was initially going to be released for free, but Microsoft's and Sony's rules regarding the quantity of free DLC that a game can have resulted in the contents being incorporated into the Liars and Cheats pack instead. There were three bonuses for those who pre-ordered the game. The content itself was dependent on the vendor, as different shops provided different bonus content, with some even providing all three.
The Game of the Year edition adds a Hardcore single-player difficulty option that was not previously available for the game. Upon release, the game received widespread critical acclaim from all over the gaming industry.
Aside from a few graphical glitches noted by IGN and other gaming sites , its presentation, sound, and multiplayer were universally praised. While others such as GamePro have criticized the "occasional pop-in and repetitive missions", they also said it "expertly captures the Wild West", with 1UP giving similar praise and complaints. IGN gave the game 9. The soundtrack also received many awards. The sheer quality of Red Dead Redemption is evident right from the word go.
The Xbox version was made playable to Xbox One owners via backward compatibility on July 8, On April 10, , the Xbox One backward compatibility version received a patch that enables Xbox One X owners to play the game in native 4K resolution. Forum posts. YouTube videos Rockstar site. Red Dead Wiki Explore. Revolver Redemption saga Redemption Redemption 2.
Gunslingers The Man from Blackwater. Revolver Redemption Undead Nightmare Redemption 2. Revolver Redemption Redemption 2. Redemption Undead Nightmare Redemption 2. Single Player Challenges Multiplayer Challenges. The Spawny Award Hall of Gunslingers. Wiki Posse Page history. Explore Wikis Community Central.
Register Don't have an account? Red Dead Redemption. View source. History Talk Do you like this video? Both narrative and gameplay are structured around this core conceit in both games. RDR2 encapsulated the result of this development history and brand expectations, and Red Dead Online explicitly encourages players to become whatever kind of Westerner—Bounty Hunter, Trader, Trapper, for example—that satisfies their desire to exist in this virtual West.
But this impression of the colonizing of the American West bears little resemblance to historical reality. A number of faux-historical advertisements were created and featured on the official website for RDR2 , made to look like the pages of the Wheeler and Rawson Co. Whether cattleman, lawman, trapper or aspiring tailor, there is no better revolver to have at your side when heading west into the land of milk and honey. Granted, we might argue that it is unrealistic to expect a video game to prioritize accounting for such nuanced historiographical debate.
But as noted above, this is a mythical construction of Western history which is resultantly entirely racialized and gendered to exclude anyone that is not a particular kind of man of action; and indeed, a white man of action. But within the games themselves and some of the promotional materials created to sell them, Rockstar tried to deal explicitly with the complex history of Native American removal and genocide, and with scientifically racist understandings that often served as a justification for these processes of ethnic cleansing and violence against people of color.
Making direct interventions into these discourses with their games, and making authenticity claims about their historical narratives, therefore requires us to consider exactly what representation of the past they offer. Some promotional materials for RDR made explicit reference to the violent consequences of American colonialism for Indigenous peoples. Moreover, the deliberate selection of a very particular time period within which to set this game world—between the very cusp of the twentieth century and the end of its first decade—confines any and all Native American characters to Reservations.
Pursuing Dutch necessitates wiping out every last man on the Reservation as a predetermined mission objective that requires completion. Marston is positioned alongside other white men in a non-white space and is implicated in what is a micro-scale recreation of racist, genocidal violence.
Many women too. On the one hand, the emptiness or inaccessibility of these othered spaces—that they are either empty or merely populated by the old and dying—misses any and all opportunity to more fully represent lived experiences on Reservations. Yet more troubling is the fact that the suffering and threatened extinction faced by Native Americans is consistently aligned with the threatened extinction of white outlaws.
Raised on the Cochinay Reservation, Nastas is eloquently critical of government policy and the actions of white Americans against Indigenous communities, evidenced by his dialogue with other characters in both cutscenes and wider gameplay. For the majority of the time that his character is narratively significant, Nastas is played off against disgraced former Yale professor Harold MacDougal, who has been employed by the government as a liaison between the agents and local Indigenous characters like Nastas.
A civilized mind turned savage. Ultimately, this interaction makes a reductive joke of the real history of race science, the experiments white men performed on black and brown bodies, and the legacy of these racist misconceptions that continue to be felt in modern science and medicine Saini; Villarosa.
Like all Rockstar titles, both RDR games suggest an awareness about the way they engage in representations of American history, which is usually exhibited in the non-optional conversations that the playable protagonists engage in or in cutscene dialogue that is equally predefined and immutable.
Agent Milton: This is a civilized land now. This is a false equivalence that—intentionally or not—threatens to erase or overlook an actual lived history of intellectually, philosophically, and politically sanctioned racism that ensured that Indigenous peoples were wiped out; something that video games in general have an issue with see, for example, Almahr.
Others include a woman demanding female suffrage and a proto-entrepreneur selling get-rich-quick schemes. On the one hand, Rockstar as a company do not bear the full brunt of responsibility for the way that video games occupy dubious ideological positions—they are merely capitalizing on a wider capitalistic, postmodern recycling of images so common to the game and entertainment industries.
Yet the choice to include them is political even if unconscious , just like the choice to rely on implicitly colonialist narratives of progress, conquest, and frontier spirit to sell them. Accessed 12 May Almahr, Hussain. Anderson, Carol. Bloomsbury, Blake, John. Bird, Ashlee. Byrd, Jodi A. Chapman, Adam. Routledge, Coldewey, Devin. Accessed 3 Feb. Cowen, Nick. Deloria, Philip J. Playing Indian. Yale UP, Dippie, Brian W. Indian Policy. U of Kansas P, U of Minnesota P, Freeman, Will.
Fuchs, Michael, et al. Hammar, Emil Lundedal. Hartmann, Tilo. Hartmann, Tilo, and Peter Vorderer. Hooton, Christopher. Humphreys, Sara. Keller, Alexandra. Kelly, Andy. Kerr, Aphra. SAGE, Kline, Stephen, et al. Kuenz, Jane. Lammes, Sybille. Limerick, Patricia Nelson. Norton, Litherland, Benjamin. MacDonald, Keza. Accessed 2 Feb. McCaffrey, Ryan. McKeand, Kirk. Margini, Matt. Red Dead Redemption.
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